Cue the Music

(That We Can Afford to License)

When I move forward with any creative project, music and sound are always in the back of my mind. While I may not use all (or any) of it in the film, it’s essential throughout my creative process as to how I think about how approach characters, visuals and how it all fits together in the edit. Even if it doesn't make it into the final cut, it helps shape the mood and adds depth to how i see the story.

YOU’VE GOT TO BE REALISTIC

- Yesterday (2019)

From my time in a creative agency, I’ve learned to be smart about picking music. We used scratch tracks early on so the client wouldn’t get attached to something they couldn't afford. Now that I’m taking on the filmmaker and producer role for "Sweet Nothings," I realize that same logic applies.

I want to aim high, but I also have to be realistic about what’s actually possible – OK affordable.

THE FIRST STEP IN GETTING WHAT YOU WANT TO KNOW WHAT YOU WANT

— High Fidelity(1986)

I started off listening to artists like Nick Cave, The Velvet Underground, The Doors, and The Everly Brothers. These musicians set a big mood for what I want to create. But the reality is those tracks are W A A A Y out of budget. So, I’ve been sifting through the sounds and narrowing it down.

Now, I’m exploring artists like Dale Ward, The Turbans, The Cookies, Ray Sharpe, The Sonics, and Dusty Springfield. While these names might still be placeholders, they have the right feel and are worth exploring to see if my wallet will cry.

IT’S NOT THE NOTES YOU PLAY, IT’S THE NOTES YOU DON’T PLAY.

— Round Midnight (1986)

Music is more than just something to play in the background for me; it shapes everything I’m doing. Each track I consider adds another layer to the storytelling, and I want to make sure that whatever I choose helps drive the emotional beats of the film. I'm trying to find just one song that fits perfectly, balancing the tone with what’s realistically possible.

GOT A GIG. I GOTTA GO.

- Bird (1988)

Here’s a quick rundown of what’s happening this week:

• Playlist Updates: I’m narrowing down my music choices to find tracks that align with the film’s vibe.

• Crew Outreach:
  This week, I took all the films I liked at the Massachusetts Independent Film Festival and began connecting with the crew from each film to start developing relationships for "Sweet Nothings" and beyond. I’m beginning with cinematographers, sound designers, and composers, as their expertise will be crucial for the project.
  
  In addition to continuing to connect with these creatives, I’m also starting the search for an intimacy coordinator. I know little about the hiring process in this area, so I’ll be asking around for recommendations. Given that "Sweet Nothings" includes some charged scenes, it's important to ensure that everyone involved feels safe and supported throughout the production.

• Script Refinement: This week, I made progress on "Amalgam," and it feels good to see that I’m heading in the right direction. Since it’s a short film, I’m focusing on character development and the dynamic interactions between them. The playful banter and flirtation add a fun, quirky energy to the script, shaping it into a darkly comedic piece with intriguing elements. While revisiting it, I was reminded of how important those subtle moments of connection can be in driving the story forward. It’s a relief to find that taking a break has allowed me to enhance the relationships and keep the momentum going.

• PRODUCTION INSURANCE
  I know. Not the most glamorous aspect of filmmaking, but I do recognize the importance of securing production insurance. With most of Sweet Nothings being shot in a classic 60s car, having coverage is essential. I’ve started reaching out to insurance companies to gather quotes and learn more about their specific policies

I NEED YOU, YOU, YOU.

— The Blues Brothers (1980)

As I keep moving forward, I’d love to hear about how music influences your own creative process. Do you have any tracks that inspire you, or local musicians you think I should consider for collaborations? Let’s keep the conversation going and share the sounds that help shape our stories.

If you’ve got thoughts or suggestions, drop them in the comments!